{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://api.cultural.jp/iiif/chicago-60390/manifest","@type":"sc:Manifest","label":[{"@language":"ja","@value":"Act 11, Part 1: The Approach to the Night Attack (Juichidanme ichi, yochi oshiyose), from the series \"The Revenge of the Loyal Retainers (Chushingura)\""},{"@language":"en","@value":"Act 11, Part 1: The Approach to the Night Attack (Juichidanme ichi, yochi oshiyose), from the series \"The Revenge of the Loyal Retainers (Chushingura)\""},{"@language":"ja-x-mt","@value":"第11部パート1シリーズ「忠臣の復讐(忠臣蔵)」シリーズの夜襲へのアプローチ(十一段目一夜オシヨセ)"}],"description":["Date end: 1844","Classification: print","Classification: asian art","Classification: woodblock print","Artist: Utagawa Hiroshige 歌川 広重\nJapanese, 1797–1858","A work made of color woodblock print; oban","
The story of The Forty-seven Samurai is based on events that occurred at the beginning of the 18th century and is one of the longest plays in the Kabuki repertoire that is still performed. The drama recounts the death of Enya Hangan, who was forced to commit suicide by the evil Moronao, and the revenge sought by Hangan’s loyal retainers for their lord’s death. In the scene depicted here (which occurs toward the end of the play), the forty-seven loyal samurai are crossing Ryogoku Bridge on their way to Moronao’s mansion where they will eventually slay him. In the foreground, two of the samurai stand guard in a boat.
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